Gomma suggerisce la lettura di:
Ian Glasper
Anarcopunk. Il punk politico inglese (1980-1986)
460 pagine con decine di foto
INTERVISTE A E CONTRIBUTI DI: CRASS, POISON GIRLS, CONFLICT, FLUX OF PINK INDIANS, CHUMBAWAMBA, SUBHUMANS, DIRT, ICONS OF FILTH, ZOUNDS, ANTISECT, RUDIMENTARY PENI, RUBELLA BALLET, AMEBIX, HAGAR THE WOMB, MOB, OMEGA TRIBE, STALAG 17, OI POLLOI... E MOLTI ALTRI
AMERICAN PUNK HARDCORE di Steven Blush
464 pagine con centinaia di interviste, decine di foto e manifesti
Tutti i gruppi della scena: Black Flag, Minor Threat, Bad Brains, Bad Religion, Misfits, SS Decontrol, MDC, Adolescents, 7 seconds, Agnostic Front, Faith, e centinaia di altri.
Il libro definitivo sulla scena HC americana
NELLE MIGLIORI LIBRERIE E CENTRI SOCIALI!
compra online su ShaKe
“Ci vuole una mente hardcore per scrivere un libro hardcore. Sto parlando di un movimento su cui non esistono archivi, ribelle, indisciplinato, spontaneo. Ho scritto questo libro in puro stile HC, usando tutto quello che avevo” Stephen Blush
e ricordati che:
"Per suonare l'hardcore non hai bisogno di strofe e ritornelli, non hai bisogno di assoli, non hai bisogno di un cazzo!" Mike Watt – Minutemen
GOMMA SUGGERISCE
Podcast 001 - Punk Milano & Linton Kwesi 1985, neri & bianchi05-10-06 Categoria: Podcast Mp3 Radio
Presentazione Gomma TV; registrazione 1985 contestazione punk a Milano Poesia e performance di Linton Kwesi Johnson; 1969 - inno delle Pantere Nere; Vorresti la pelle nera?; Norman Mailer e i neri bianchi: hipsters anni 50; razzismo Made in Italy; Gheddafi Mohican.
Questa è la Gomma Tv: visioni & impressioni di Gomma sul presente e futuro, nonché sul passato. Infatti metto online il mio archivio sulle controculture, che ho cominciato ad accumulare 30 anni fa: testi, volantini, foto, nastri audio e video.
In questa prima puntata:
Linton Kwesi Johson, il grande poeta giamaicano immigrato a Londra, recita durante la serata "5 NIGHTS OF BLEEDING":
Madness, madness Madness tight on the heads of the rebels The bitterness erup's like a heart blas' Broke glass, ritual of blood an' a-burnin' Served by a cruelin' fighting 5 nights of horror and of bleeding Broke glass, cold blades as sharp as the eyes of hate And the stabbin', it's War amongs' the rebels Madness, madness, war
Night number one was in Brixton Sofrano B sound system 'im was a-beatin' up the riddim with a fire 'im comin' down his reggae reggae wire It was a sound checkin' down your spinal column A bad music tearin' up your flesh An' the rebels dem start a fighting De youth dem just tun wild, it's War amongs' the rebels Madness, madness, war
Night number two down at Sheppard's Right up Railton road It was a night name friday when ev'ryone was high on brew or drew A pound or two worth of Kali Sound comin' down of the king's music iron The riddim just bubblin' an' backfirin' Ragin' an' risin' When suddenly the music cut - Steelblade drinkin' blood in darkness, it's War amongs' the rebels Madness, madness, war
Night number three, over the river Right outside the Rainbow Inside James Brown was screamin soul Outside the rebels were freezin' cold Babylonian tyrants descended Bounced on the brothers who were bold So with a flick of the wris', a jab and a stab The song of hate was sounded The pile of oppression was vomited And two policemen wounded Righteous, righteous war
Night number four at the blues dance, abuse dance Two rooms packed and the pressure pushin' up Hot, hotheads Ritual of blood in the blues dance Broke glass splintering, fire Axes, blades, brain blas' Rebellion rushin' down the wrong road Storm blowin' down the wrong tree And Leroy bleeds near death on the fourth night In a blues dance, on a black rebellious night, it's War amongs' the rebels Madness, madness, war
Night number five at the telegraph Vengeance walk thru de doors So slow, so smooth So tight and ripe and -smash! Broke glass, a bottle finds a head And the shell of the fire heard -crack! The victim feels fear Finds hands, holds knife, finds throat Oh, the stabbins and the bleedin' and the blood, it's War amongs' the rebels Madness, madness, war
I punk sono coinvolti dal dub, ma Linton Kwesi solidarizza con la lotta dei bianchi?
Yes - He turned and be walked Past the eyes of my life. And, he nodded and sang without sound. And his face had the look Of a man who knew strife And a feeling familiarly came around. REFRAIN: I said, Man, where have you been for all these years Man, where were you when I sought you Man, do you know me as I know you Man, am I coming through And, he spoke in a voice That was centuries old. And, be smiled in a way that was strange. And, his full lips of night Spoke about our people's plight And a feeling familiarly came around. REFRAIN: And, we sat and we talked About freedom and things. And, he told me about what he dreamed. But I knew of that dream Long before he had spoke And a feeling familiarly came around.
Sottofondo musicale di Ernest Dawkins, Black Flag, Fall.
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LISTA COMMENTI
Raffica da Bari | |
18-07-07 09:20 il razzismo è la cosa piu' ignobile ke l'uomo ha mai pensato. è con il razzismo, la paura del diverso, il contrasto ke le migliori guerre macchiano di sangue la nostra terra. il razzismo è violenza e la violenza è il sistema, non l'anarchia!! |
didino | |
20-11-06 19:03 no al razzismo |
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